David Tomas
Auction works
Editions
Projections
Installations
Performed installations
Objects
Automatic Powerpoints
Drawings and photodigital works
Miscellaneous wallworks
Poster projects
Audio works
Curatorial projects
PDF
Publications
Biography
Curriculum vitae
Documents and Texts
Contact
Français
Auction works
Lot 94 (2018)
Lot 136 (2017)
Lots 15 & 21 (2015-2016)
Lot 94 (Hors-Série, 2015)
Lot 94 (New Eldorado, 2015)
Lot 94 (2015)
Study for This is Tomorrow II (2014)
This is Tomorrow (2014)
Postcards (2013‑2014)
Consigned for Auction - Part I (2013)
Consigned for Auction - Part II (2013-2014)
Projections (2013-2016)
Remote Exhibitions (2010-)
Invisible Exhibitions (2010-)
Retrospective Exhibitions (2010‑)
Editions
Editions (2003-2012)
Projections
Lots 15 & 21 (2016)
Lots 93 & 94 (2013-2016)
Lot 94 (2013-2016)
Lot 93 (2013-2016)
Lots 161, 51 (2015)
Lot 161 (2015)
Lot 51 II (2015)
Lot 51 I (2015)
No Lot (2015)
Withdrawn (2015)
Tony Conrad, Making Worlds, 53rd Venice Biennale (2009)
Of Dolls and Automatons (2009-2010)
An Imperfect History of Cinema (2008-2009)
Black Maria (2008-2009)
Stereovision (2007-2008)
Probe (2006-2007)
Portage (2004-2007)
Empire (2004-2005)
End of the line (2001)
Untitled (1997-1999)
Shoran (1995-1999)
Installations
The Proposal (2018)
Lot 94 (2018)
Anthropophagia II (2014)
Not here, Not There (2001)
Time Transfixed III (1992‑1994)
Utopias (1988)
Offworlds (1986)
Through the Eye (1986)
The Photographer (1985)
Experimental Photographic Structure II (1981)
Experimental Photographic Structure (1980)
Performed installations
The Incubator (1998)
This is What You Want, This is What You Get (1992)
Behind the Eye Lies the Hand of William Henry Fox Talbot (1984)
Photography: A Word (1983)
Experimental Photographic Structure III (1982)
Objects
Wittgenstein House Maquette (2009-2010)
Maquette for Red Chair (2006)
Reflexions (2005-2006)
Red Chair (2005)
Beckett’s Eye (2001)
Automatic Powerpoints
Matrix for Yellow Light (2005)
Matrix for Yellow Light (2004-2005)
Drawings and photodigital works
Untitled (2004)
Untitled (2004)
Untitled (2004)
Untitled (2004)
Untitled (2004)
Untitled (2004)
Untitled (2004)
At the Moment of Contact the Image is Split (2001)
Preparing for the Rebirth of Charles Babbage’s Brain (2000)
Planing the Future: Five contact sites (1999)
Untitled (1997)
Untitled (1997)
Initial Contact, Project X, Human Genome Diversity Project (1995)
Untitled (1995)
Residuum (1994)
How the Hang Upside Down from Someone Else’s DNA (1993)
Miscellaneous wallworks
100 X Handpicked (2017)
Fig 1 (2016-2017)
Untitled (2016-2017)
Malevich and the American Legacy (2011-2013)
One and Three Spaces (2011-2013)
Untitled (Study for Live rightly, die, die…) (2012), I & II
Untitled (Study for Apocalypse Now) (2012)
Sony (2003-2006)
Study for Empire (2004-2005)
Poster projects
Nous Sommes le Pouvoir (2018)
This is Tomorrow (2017)
Audio works
Lot 139, Allan Kaprow, 2013
This is What You Want, This is What You Get (1992)
Rum and Coca-Cola (1991)
Don’t Let the Stars Get in Your Eyes (1987)
Notes Towards a Photographic Practice (1983)
Curatorial projects
The Proposal (2018)
Millet Matrix IV (2016-2017)
Consigned for Auction (2013)
Live rightly, die, die (2012)
Millet Matrix III (2013)
Millet Matrix II (2012)
Millet Matrix I (2010)
Tim Clark. Reading the Limits: Works/Oeuvres 1975-2003 (2008)
PDF
Publication Document File
Publications
An Economy of Discursive Fields (2019)
Zapantera Negra (2017)
Vertov, Snow, Farocki : Machine Vision and the Posthuman (2013/2015)
Consigned for Auction (2013)
Live rightly, die, die (2012)
Escape Velocity (2012)
Editions (2003-2012)
Millet Matrix Project (2010-2014)
Tim Clark. Reading the Limits: Works/Oeuvres 1975-2003 (2008)
Matrix for Yellow Light Series (2004-2005)
Beyond the Image Machine: A History of Visual Technologies (2004)
A Blinding Flash of Light: Photography Between Disciplines and Media (2004)
DUCTION [with Michèle Thériault] (2001)
The Encoded Eye, the Archive, and its Engine House (1998-2000)
Transcultural Space and Transcultural Beings (1996)
Français
David Tomas
Auction works
Editions
Projections
Installations
Performed installations
Objects
Automatic Powerpoints
Drawings and photodigital works
Miscellaneous wallworks
Poster projects
Audio works
Curatorial projects
PDF
Publications
Biography
Curriculum vitae
Documents and Texts
Contact
Français
Auction works
Lot 94 (2018)
Lot 136 (2017)
Lots 15 & 21 (2015-2016)
Lot 94 (Hors-Série, 2015)
Lot 94 (New Eldorado, 2015)
Lot 94 (2015)
Study for This is Tomorrow II (2014)
This is Tomorrow (2014)
Postcards (2013‑2014)
Consigned for Auction - Part I (2013)
Consigned for Auction - Part II (2013-2014)
Projections (2013-2016)
Remote Exhibitions (2010-)
Invisible Exhibitions (2010-)
Retrospective Exhibitions (2010‑)
Editions
Editions (2003-2012)
Projections
Lots 15 & 21 (2016)
Lots 93 & 94 (2013-2016)
Lot 94 (2013-2016)
Lot 93 (2013-2016)
Lots 161, 51 (2015)
Lot 161 (2015)
Lot 51 II (2015)
Lot 51 I (2015)
No Lot (2015)
Withdrawn (2015)
Tony Conrad, Making Worlds, 53rd Venice Biennale (2009)
Of Dolls and Automatons (2009-2010)
An Imperfect History of Cinema (2008-2009)
Black Maria (2008-2009)
Stereovision (2007-2008)
Probe (2006-2007)
Portage (2004-2007)
Empire (2004-2005)
End of the line (2001)
Untitled (1997-1999)
Shoran (1995-1999)
Installations
The Proposal (2018)
Lot 94 (2018)
Anthropophagia II (2014)
Not here, Not There (2001)
Time Transfixed III (1992‑1994)
Utopias (1988)
Offworlds (1986)
Through the Eye (1986)
The Photographer (1985)
Experimental Photographic Structure II (1981)
Experimental Photographic Structure (1980)
Performed installations
The Incubator (1998)
This is What You Want, This is What You Get (1992)
Behind the Eye Lies the Hand of William Henry Fox Talbot (1984)
Photography: A Word (1983)
Experimental Photographic Structure III (1982)
Objects
Wittgenstein House Maquette (2009-2010)
Maquette for Red Chair (2006)
Reflexions (2005-2006)
Red Chair (2005)
Beckett’s Eye (2001)
Automatic Powerpoints
Matrix for Yellow Light (2005)
Matrix for Yellow Light (2004-2005)
Drawings and photodigital works
Untitled (2004)
Untitled (2004)
Untitled (2004)
Untitled (2004)
Untitled (2004)
Untitled (2004)
Untitled (2004)
At the Moment of Contact the Image is Split (2001)
Preparing for the Rebirth of Charles Babbage’s Brain (2000)
Planing the Future: Five contact sites (1999)
Untitled (1997)
Untitled (1997)
Initial Contact, Project X, Human Genome Diversity Project (1995)
Untitled (1995)
Residuum (1994)
How the Hang Upside Down from Someone Else’s DNA (1993)
Miscellaneous wallworks
100 X Handpicked (2017)
Fig 1 (2016-2017)
Untitled (2016-2017)
Malevich and the American Legacy (2011-2013)
One and Three Spaces (2011-2013)
Untitled (Study for Live rightly, die, die…) (2012), I & II
Untitled (Study for Apocalypse Now) (2012)
Sony (2003-2006)
Study for Empire (2004-2005)
Poster projects
Nous Sommes le Pouvoir (2018)
This is Tomorrow (2017)
Audio works
Lot 139, Allan Kaprow, 2013
This is What You Want, This is What You Get (1992)
Rum and Coca-Cola (1991)
Don’t Let the Stars Get in Your Eyes (1987)
Notes Towards a Photographic Practice (1983)
Curatorial projects
The Proposal (2018)
Millet Matrix IV (2016-2017)
Consigned for Auction (2013)
Live rightly, die, die (2012)
Millet Matrix III (2013)
Millet Matrix II (2012)
Millet Matrix I (2010)
Tim Clark. Reading the Limits: Works/Oeuvres 1975-2003 (2008)
PDF
Publication Document File
Publications
An Economy of Discursive Fields (2019)
Zapantera Negra (2017)
Vertov, Snow, Farocki : Machine Vision and the Posthuman (2013/2015)
Consigned for Auction (2013)
Live rightly, die, die (2012)
Escape Velocity (2012)
Editions (2003-2012)
Millet Matrix Project (2010-2014)
Tim Clark. Reading the Limits: Works/Oeuvres 1975-2003 (2008)
Matrix for Yellow Light Series (2004-2005)
Beyond the Image Machine: A History of Visual Technologies (2004)
A Blinding Flash of Light: Photography Between Disciplines and Media (2004)
DUCTION [with Michèle Thériault] (2001)
The Encoded Eye, the Archive, and its Engine House (1998-2000)
Transcultural Space and Transcultural Beings (1996)
An Imperfect History of Cinema (2008-2009)
HD Projection loop
Editor: Sophie Bellissent
Photography Scanning: Francine Delorme