David Tomas
Œuvres enchères
Éditions
Projections
Installations
Installations performées
Objets
Powerpoints automatiques
Dessins et œuvres photo‑numériques
Œuvres murales diverses
Projets d’affichage
Œuvres audio
Projets curatoriaux
PDF
Publications
Biographie
Curriculum vitae
Documents et textes
Contact
English
Œuvres enchères
Lot 94 (2018)
Lot 136 (2017)
Lots 15 & 21 (2015-2016)
Lot 94 (Hors-Série, 2015)
Lot 94 (New Eldorado, 2015)
Lot 94 (2015)
Study for This is Tomorrow II (2014)
This is Tomorrow (2014)
Cartes postales (2013-2014)
Proposé aux enchères – Volet I (2013)
Proposé aux enchères – Volet II (2013-2014)
Projections (2013-2016)
Remote Exhibitions (2010-)
Invisible Exhibitions (2010-)
Retrospective Exhibitions (2010‑)
Éditions
Éditions (2003-2012)
Projections
Lots 15 & 21 (2016)
Lots 93 & 94 (2013-2016)
Lot 94 (2013-2016)
Lot 93 (2013-2016)
Lots 161, 51 (2015)
Lot 161 (2015)
Lot 51 II (2015)
Lot 51 I (2015)
No Lot (2015)
Withdrawn (2015)
Tony Conrad, Making Worlds, 53rd Venice Biennale (2009)
Of Dolls and Automatons (2009-2010)
An Imperfect History of Cinema (2008-2009)
Black Maria (2008-2009)
Stereovision (2007-2008)
Probe (2006-2007)
Portage (2004-2007)
Empire (2004-2005)
End of the line (2001)
Untitled (1997-1999)
Shoran (1995-1999)
Installations
La proposition (2018)
Lot 94 (2018)
Anthropophagia II (2014)
Not here, Not There (2001)
Time Transfixed III (1992-1994)
Utopias (1988)
Offworlds (1986)
Through the Eye (1986)
The Photographer (1985)
Experimental Photographic Structure II (1981)
Experimental Photographic Structure (1980)
Installations performées
L’incubateur (1998)
This is What You Want, This is What You Get (1992)
Behind the Eye Lies the Hand of William Henry Fox Talbot (1984)
Photography: A Word (1983)
Experimental Photographic Structure III (1982)
Objets
Wittgenstein House Maquette (2009-2010)
Maquette for Red Chair (2006)
Reflexions (2005-2006)
Red Chair (2005)
Beckett’s Eye (2001)
Powerpoints automatiques
Matrix for Yellow Light (2005)
Matrix for Yellow Light (2004-2005)
Dessins et œuvres photo‑numériques
Untitled (2004)
Untitled (2004)
Untitled (2004)
Untitled (2004)
Untitled (2004)
Untitled (2004)
Untitled (2004)
At the Moment of Contact the Image is Split (2001)
Preparing for the Rebirth of Charles Babbage’s Brain (2000)
Planing the Future: Five contact sites (1999)
Untitled (1997)
Untitled (1997)
Initial Contact, Project X, Human Genome Diversity Project (1995)
Untitled (1995)
Residuum (1994)
How the Hang Upside Down from Someone Else’s DNA (1993)
Œuvres murales diverses
100 X Handpicked (2017)
Fig 1 (2016-2017)
Untitled (2016-2017)
Malevich and the American Legacy (2011-2013)
One and Three Spaces (2011-2013)
Untitled (Study for Live rightly, die, die…) (2012), I & II
Untitled (Study for Apocalypse Now) (2012)
Untitled (Study for Apocalypse Now) (2012)
Study for Empire (2004-2005)
Projets d’affichage
Nous Sommes le Pouvoir (2018)
This is Tomorrow (2017)
Œuvres audio
Lot 139, Allan Kaprow, 2013
This is What You Want, This is What You Get (1992)
Rum and Coca-Cola (1991)
Don’t Let the Stars Get in Your Eyes (1987)
Notes Towards a Photographic Practice (1983)
Projets curatoriaux
La proposition (2018)
Millet Matrix IV (2016-2017)
Proposé aux enchères (2013)
Live rightly, die, die (2012)
Millet Matrix III (2013)
Millet Matrix II (2012)
Millet Matrix I (2010)
Tim Clark. Reading the Limits: Works/Oeuvres 1975-2003 (2008)
PDF
pub-doc-file.org
Publications
An Economy of Discursive Fields (2019)
Zapantera Negra (2017)
Vertov, Snow, Farocki : Machine Vision and the Posthuman (2013/2015)
Proposé aux enchères (2013)
Live rightly, die, die (2012)
Escape Velocity (2012)
Editions (2003-2012)
Millet Matrix Project (2010-2014)
Tim Clark. Reading the Limits: Works/Oeuvres 1975-2003 (2008)
Matrix for Yellow Light Series (2004-2005)
Beyond the Image Machine: A History of Visual Technologies (2004)
A Blinding Flash of Light: Photography Between Disciplines and Media (2004)
DUCTION [avec Michèle Thériault] (2001)
The Encoded Eye, the Archive, and its Engine House (1998-2000)
Transcultural Space and Transcultural Beings (1996)
English
David Tomas
Œuvres enchères
Éditions
Projections
Installations
Installations performées
Objets
Powerpoints automatiques
Dessins et œuvres photo‑numériques
Œuvres murales diverses
Projets d’affichage
Œuvres audio
Projets curatoriaux
PDF
Publications
Biographie
Curriculum vitae
Documents et textes
Contact
English
Œuvres enchères
Lot 94 (2018)
Lot 136 (2017)
Lots 15 & 21 (2015-2016)
Lot 94 (Hors-Série, 2015)
Lot 94 (New Eldorado, 2015)
Lot 94 (2015)
Study for This is Tomorrow II (2014)
This is Tomorrow (2014)
Cartes postales (2013-2014)
Proposé aux enchères – Volet I (2013)
Proposé aux enchères – Volet II (2013-2014)
Projections (2013-2016)
Remote Exhibitions (2010-)
Invisible Exhibitions (2010-)
Retrospective Exhibitions (2010‑)
Éditions
Éditions (2003-2012)
Projections
Lots 15 & 21 (2016)
Lots 93 & 94 (2013-2016)
Lot 94 (2013-2016)
Lot 93 (2013-2016)
Lots 161, 51 (2015)
Lot 161 (2015)
Lot 51 II (2015)
Lot 51 I (2015)
No Lot (2015)
Withdrawn (2015)
Tony Conrad, Making Worlds, 53rd Venice Biennale (2009)
Of Dolls and Automatons (2009-2010)
An Imperfect History of Cinema (2008-2009)
Black Maria (2008-2009)
Stereovision (2007-2008)
Probe (2006-2007)
Portage (2004-2007)
Empire (2004-2005)
End of the line (2001)
Untitled (1997-1999)
Shoran (1995-1999)
Installations
La proposition (2018)
Lot 94 (2018)
Anthropophagia II (2014)
Not here, Not There (2001)
Time Transfixed III (1992-1994)
Utopias (1988)
Offworlds (1986)
Through the Eye (1986)
The Photographer (1985)
Experimental Photographic Structure II (1981)
Experimental Photographic Structure (1980)
Installations performées
L’incubateur (1998)
This is What You Want, This is What You Get (1992)
Behind the Eye Lies the Hand of William Henry Fox Talbot (1984)
Photography: A Word (1983)
Experimental Photographic Structure III (1982)
Objets
Wittgenstein House Maquette (2009-2010)
Maquette for Red Chair (2006)
Reflexions (2005-2006)
Red Chair (2005)
Beckett’s Eye (2001)
Powerpoints automatiques
Matrix for Yellow Light (2005)
Matrix for Yellow Light (2004-2005)
Dessins et œuvres photo‑numériques
Untitled (2004)
Untitled (2004)
Untitled (2004)
Untitled (2004)
Untitled (2004)
Untitled (2004)
Untitled (2004)
At the Moment of Contact the Image is Split (2001)
Preparing for the Rebirth of Charles Babbage’s Brain (2000)
Planing the Future: Five contact sites (1999)
Untitled (1997)
Untitled (1997)
Initial Contact, Project X, Human Genome Diversity Project (1995)
Untitled (1995)
Residuum (1994)
How the Hang Upside Down from Someone Else’s DNA (1993)
Œuvres murales diverses
100 X Handpicked (2017)
Fig 1 (2016-2017)
Untitled (2016-2017)
Malevich and the American Legacy (2011-2013)
One and Three Spaces (2011-2013)
Untitled (Study for Live rightly, die, die…) (2012), I & II
Untitled (Study for Apocalypse Now) (2012)
Untitled (Study for Apocalypse Now) (2012)
Study for Empire (2004-2005)
Projets d’affichage
Nous Sommes le Pouvoir (2018)
This is Tomorrow (2017)
Œuvres audio
Lot 139, Allan Kaprow, 2013
This is What You Want, This is What You Get (1992)
Rum and Coca-Cola (1991)
Don’t Let the Stars Get in Your Eyes (1987)
Notes Towards a Photographic Practice (1983)
Projets curatoriaux
La proposition (2018)
Millet Matrix IV (2016-2017)
Proposé aux enchères (2013)
Live rightly, die, die (2012)
Millet Matrix III (2013)
Millet Matrix II (2012)
Millet Matrix I (2010)
Tim Clark. Reading the Limits: Works/Oeuvres 1975-2003 (2008)
PDF
pub-doc-file.org
Publications
An Economy of Discursive Fields (2019)
Zapantera Negra (2017)
Vertov, Snow, Farocki : Machine Vision and the Posthuman (2013/2015)
Proposé aux enchères (2013)
Live rightly, die, die (2012)
Escape Velocity (2012)
Editions (2003-2012)
Millet Matrix Project (2010-2014)
Tim Clark. Reading the Limits: Works/Oeuvres 1975-2003 (2008)
Matrix for Yellow Light Series (2004-2005)
Beyond the Image Machine: A History of Visual Technologies (2004)
A Blinding Flash of Light: Photography Between Disciplines and Media (2004)
DUCTION [avec Michèle Thériault] (2001)
The Encoded Eye, the Archive, and its Engine House (1998-2000)
Transcultural Space and Transcultural Beings (1996)
Experimental Photographic Structure II (1981)
Photos: n/b: David Tomas; Couleur: Gabor Szilasi
